1910-again:

Remedios Varo, As I Pass, Withdraw 1959
lilacsinthedooryard:

 Arthur Bowen Davies
 Château Langeais, 1924
1910-again:

Otto Marseus van Schrieck, Snakes, Toads and Butterflies c.1639-1678
stfumadison:

X-Ray Image of a Corset, 1908

anfonymackie:

do vampires just use their teeth to make a puncture wound and then suck, or are their fangs like a straw

i havent slept in three days

wizardess-castle:

saveflowers1:

Art by Edmund Dulac, 1915, ‘The Ice Maiden,’ from the book, Dreamer of Dreams.

☾
room42:

“You will realise, that this combination of red-ochre, of green gloomed over by grey, the black streaks surrounding the contours, produce something of the sensation of anguish called ‘rouge-noir’, from which certain of my companions in misfortunes suffer.” ~ Vincent  van Gogh to Emile Bernard
blastedheath:

Mark Flood (American, b. 1957), Humpty Dumpty, 2003. Acrylic on canvas, laid on board, 66 x 48 in.
hearthside-reader:

hearthside-reader: ‘Jane Eyre’ - by Anna and Elena Balbusso
gatherednettles.com
belinsky:

#the most important shot ever filmed in modern cinema
guardian:

Fan Ho is one of Asia’s most beloved street photographers, capturing the spirit of Hong Kong in the 1950s and 60s. His work shows a love of people combined with unexpected, geometric constructions and a sense of drama heightened by use of smoke and light. More
Approaching Shadow, 1954. Photo: Fan Ho/AO Vertical Art Space